Also, as a preliminary, we attended a feast, where one Taiara Tamarii, the son of an Hawaiian sailor who deserted from a whaleship, commemorated the death of his Marquesan mother by roasting fourteen whole hogs and inviting in the village. So we came along, welcomed by a native herald, a young girl, who stood on a great rock and chanted the information that the banquet was made perfect by our presence—which information she extended impartially to every arrival. Scarcely were we seated, however, when she changed her tune, while the company manifested intense excitement. Her cries became eager and piercing. From a distance came answering cries, in men’s voices, which blended into a wild, barbaric chant that sounded incredibly savage, smacking of blood and war. Then, through vistas of tropical foliage appeared a procession of savages, naked save for gaudy loin-cloths. They advanced slowly, uttering deep guttural cries of triumph and exaltation. Slung from young saplings carried on their shoulders were mysterious objects of considerable weight, hidden from view by wrappings of green leaves. Madame’s armchair, foot-warmer, work-table, the eight chairs, everything was gone! The places occupied by the pictures formed yellow squares on the walls. They had taken the two little beds, and the wardrobe had been emptied of Virginia’s belongings! Felicite went upstairs, overcome with grief.!

She made an arrangement with a livery-stable man who drove her over to the convent every Tuesday. In the garden there was a terrace, from which the view extends to the Seine. Virginia walked in it, leaning on her mother’s arm and treading the dead vine leaves. Sometimes the sun, shining through the clouds, made her blink her lids, when she gazed at the sails in the distance, and let her eyes roam over the horizon from the chateau of Tancarville to the lighthouses of Havre. Then they rested on the arbour. Her mother had bought a little cask of fine Malaga wine, and Virginia, laughing at the idea of becoming intoxicated, would drink a few drops of it, but never more. Each morning, out of habit, Felicite entered Virginia’s room and gazed at the walls. She missed combing her hair, lacing her shoes, tucking her in her bed, and the bright face and little hand when they used to go out for a walk. In order to occupy herself she tried to make lace. But her clumsy fingers broke the threads; she had no heart for anything, lost her sleep and “wasted away,” as she put it.

I deserted the cool shade, put on a swimming suit, and got hold of a surf-board. It was too small a board. But I didn’t know, and nobody told me. I joined some little Kanaka boys in shallow water, where the breakers were well spent and small—a regular kindergarten school. I watched the little Kanaka boys. When a likely-looking breaker came along, they flopped upon their stomachs on their boards, kicked like mad with their feet, and rode the breaker in to the beach. I tried to emulate them. I watched them, tried to do everything that they did, and failed utterly. The breaker swept past, and I was not on it. I tried again and again. I kicked twice as madly as they did, and failed. Half a dozen would be around. We would all leap on our boards in front of a good breaker. Away our feet would churn like the stern-wheels of river steamboats, and away the little rascals would scoot while I remained in disgrace behind. Gammon is to lie, to exaggerate, to joke. Mary is a woman. Any woman is a Mary. All women are Marys. Doubtlessly the first dim white adventurer whimsically called a native woman Mary, and of similar birth must have been many other words in bêche de mer. The white men were all seamen, and so capsize and sing out were introduced into the lingo. One would not tell a Melanesian cook to empty the dish-water, but he would tell him to capsize it. To sing out is to cry loudly, to call out, or merely to speak. Sing-sing is a song. The native Christian does not think of God calling for Adam in the Garden of Eden; in the native’s mind, God sings out for Adam. The scenery between Vieiras’s (where the Kaupo Gap empties into the sea) and Lana, which we covered in half a day, is well worth a week or month; but, wildly beautiful as it is, it becomes pale and small in comparison with the wonderland that lies beyond the rubber plantations between Hana and the Honomanu Gulch. Two days were required to cover this marvellous stretch, which lies on the windward side of Haleakala. The people who dwell there call it the “ditch country,” an unprepossessing name, but it has no other. Nobody else ever comes there. Nobody else knows anything about it. With the exception of a handful of men, whom business has brought there, nobody has heard of the ditch country of Maui. Now a ditch is a ditch, assumably muddy, and usually traversing uninteresting and monotonous landscapes. But the Nahiku Ditch is not an ordinary ditch. The windward side of Haleakala is serried by a thousand precipitous gorges, down which rush as many torrents, each torrent of which achieves a score of cascades and waterfalls before it reaches the sea. More rain comes down here than in any other region in the world. In 1904 the year’s downpour was four hundred and twenty inches. Water means sugar, and sugar is the backbone of the territory of Hawaii, wherefore the Nahiku Ditch, which is not a ditch, but a chain of tunnels. The water travels underground, appearing only at intervals to leap a gorge, travelling high in the air on a giddy flume and plunging into and through the opposing mountain. This magnificent waterway is called a “ditch,” and with equal appropriateness can Cleopatra’s barge be called a box-car.